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Raditect ad denounced by Slate
The antinuclear crowd isn't the only one exploiting middle America's
fear of things radioactive....
--Susan Gawarecki
Is Cantor Fitzgerald exploiting 9/11?
ad report card Rob Walker, Jul 15, 2002, 8:21 AM
See http://g.msn.com/0NL34064/3095 for full article
Not long after Sept. 11, Ad Report Card looked at various examples of
marketing gambits that seemed, at best, opportunistic. (We followed up
with this column and with reader reactions.) The normalcy pendulum has
swung quite a bit since those days, but the debate over mixing Sept.
11 and commercial messages lingers. One series of ads that has gotten
attention—and criticism—on this front comes from Cantor Fitzgerald, the
bond brokerage firm that lost many employees in the attacks on the World
Trade Center. ... Another campaign that's gotten a lot less attention
than one might have thought is for a product called Raditect, which you
can see via Ads.com (you'll need either Windows Media Player or the
Realplayer). Viewed together, the campaigns make it clear just how
cynical post-Sept. 11 advertising can get—and that, particularly
compared to Raditect, Cantor Fitzgerald has nothing to be ashamed of.
The Cantor ads: <snip>
The Raditect ad: This spot opens with black-and-white footage of a
mystery man getting out of a car and clutching a metal briefcase. An
ominous voice-over begins: "Next time, it may not happen from jetliners
smashing into concrete and steel." Next we're shown a happy family, Dad
playing with the kids as Mom beams from the kitchen. "But when it
comes"—we see the mystery man again, then a shot of a nuclear
reactor—"whether from a dirty bomb, nuclear accident, or even an
earthquake that produces radiation, you won't have time to rush out and
buy this remarkable early-warning system that could save you and your
family's lives." A product shot shows a small black box with lights,
which start flashing as a string of shrill beeps bleat forth, before we
again cut back to mystery man, who is opening his briefcase, which
apparently contains a scary bomb. Now we see the ad's narrator, a
reassuringly gray-haired man sitting in an office behind a big desk with
an American flag at hand, as he tells us to take down a toll free number
("it's important") and introduces us to Raditect, "the first affordable
radiation detector for your home, car, or office." As he explains,
vaguely, how Raditect is able to warn us of radiation "long before it's
on the news," we see the happy family scrambling out of the house in
response to the urgent beeping. "It delivers the head start you need to
safely avoid the panic and the horror of radiation." Finally we're told
that it costs $149 and that we can learn more at the Web site
www.homelandprotection.net, as we see closing footage of an SUV zooming
down a remote and empty highway—presumably the happy family fleeing to
safety.
Exploiting your fears? Now this is an ad that crosses the line. Set
aside the almost certainly preposterous nature of the product itself.
Whether you agree that the Cantor commercial has at its core some
genuine feeling, you can't deny that this spot is built on the exact
opposite. It's an incredible exercise in phoniness—some vaguely
authoritative guy at his desk, which is probably on a sound stage and
decorated with rented props; the cartoonish family bugging out and
presumably one-upping the Joneses and everyone else by being the only
escapees on the block; the evocation of "horror" and, ironically enough,
"panic" avoidance in the course of a scare-mongering rant; the unsubtle
nod to "homeland protection" in the related Web address (isn't Raditect
more about "homeland escape"?). Has any advertiser to date so blatantly
tried to cash in on the base fears of customers? In all, a thoroughly
shameful exercise.
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